
But how to choose? If you are picking out a print book, there is a lot you can tell by handling it. We all do the same thing. Looking at the cover artwork gives a sense of the tone of the story. The publisher's blurb, of course, is helpful. We also flip the book open and scan the pages. We look at snippets here and there to get a sense if this the is the book we're in the mood for right now.
What to do about audiobooks? We can look at the cover and the publisher's blurb, but we can't get the same impression that handling the book will give us. Many publishers, on their websites, offer a sampling of the book. Here, for example, MacMillan Audio offers a sample of of the book. If you use the library's Digital Media Downloads (Overdrive), you'll find similar samples. However, it is what the publisher wants to you hear, so it is limited compared to your own sampling of a print book.


Publishers have started to use audio clips as a part of their marketing campaigns. If you have the opportunity to take the subway in Toronto, maybe you will see this campaign. You can plug in your headphones and have a listen.
I love audiobooks! I've read so many great books over the last few years while walking my dog. My current favourite narrator is Scott Brick, an American actor who has read all of (I think) the audiobooks Michael Pollan's titles (The Omnivore's Dilemma, The Botany of Desire, etc.) and also the recent audio release of Capote's In Cold Blood. For me, audiobooks are particularly suited to nonfiction titles.
ReplyDeleteI wish I had an ear for audiobooks. My overly active visual learning style preference makes it difficult for me to gather any of the story from a purely audio format. Which is too bad because there are lots of tasks where I could be listening to a book, but can't be reading a book... dishes comes to mind!
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