
I have read of few books in the last few years about the women who have inspired artists including
The Paris Wife (M) by
Paula McLain,
Z: a novel of Zelda Fitzgerald (M) by
Therese Anne Fowler and
Claude and Camille: a novel of Monet (M) by
Stephanie Cowell. None of these novels suggest that the role of a muse is without hardship, and this is certainly born out by
Anne Roiphe's memoir
Art and Madness: a memoir of lust without reason (M),
Anne Roiphe may be best known as a feminist author, reviewer and essayist whose novel
Up the Sandbox (M) fueled her career. Before that happened, before she discovered her own voice, she passionately desired to live her life as a muse to a great writer. Roiphe grew up on privileged Park Avenue but elected to turn her back on this life by reading publications like The Daily Worker and adopting the beliefs of writers, artists and intellectuals. It was New York in the 1950s and 1960s and she rubbed shoulders with authors like George Plimpton, Terry Southern and William Styron. She believed that alcohol fueled the writer's creativity and gave herself to them selflessly regardless of the cost.
Her first husband, a playwright, married her because he felt that marriage was meaningless, so why not marry? He took the money for their honeymoon and deserted her and spent it on alcohol and prostitutes. Her husband, who appeared to suffer from a neurological disorder, took her money and treated her with cruel indifference. She did get something out of these relationships. She was given entrance to the artistic and intellectual world she so craved that allowed her to feel as if she were Hadley Hemingway losing her husband's manuscript on a train or as if she were Zelda Fitzgerald dancing her way to immortality. Rather than the madness the title implies, Roiphe seemed as if she were besotted by this world and it took concern for her young daughter to keep her grounded and to help her eventually hear her own voice.

Anne Roiphe's daughter
Katie Roiphe wrote, not only a book that I enjoyed very much
Uncommon Arrangements: seven portraits of married life in London literary circles, 1910-1939,
(M) but also this one that looks very interesting -
In Praise of Messy Lives: essays.
(M)

"Katie Roiphe’s writing—whether in the form of personal essays, literary
criticism, or cultural reporting—is bracing, wickedly entertaining, and
deeply engaged with our mores and manners. In these pages, she turns her
exacting gaze on the surprisingly narrow-minded conventions governing
the way we live now. Is there a preoccupation with “healthiness” above
all else? If so, does it lead insidiously to judging anyone who tries to
live differently? Examining such subjects as the current fascination
with
Mad Men, the oppressiveness of Facebook (“the novel we are
all writing”), and the quiet malice our society displays toward single
mothers, Roiphe makes her case throughout these electric pages. She
profiles a New York prep school grad turned dominatrix; isolates the
exact, endlessly repeated ingredients of a magazine “celebrity profile”;
and draws unexpected, timeless lessons from news-cycle hits such as
Arnold Schwarzenegger’s “love child” revelations. On ample display in
this book are Roiphe’s insightful, occasionally obsessive takes on an
array of literary figures, including Jane Austen, John Updike, Susan
Sontag, Joan Didion, and Margaret Wise Brown."
publisher
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