Catherine Graham’s latest collection, published by Wolsak
and Wynn, has an amazing cover.
Her
Red Hair Rises with the Wings of Insects – the title’s grey words are
reinforced by red vines, or they’re becoming gently overtaken. And then there
are the words themselves: a compelling image. Most poems in the book began as
glosas - a form that weaves another poet’s lines into four stanzas (not unlike ivy).
Most of the glosas use
Dorothy Molloy poems. Another Canadian poet who wrote
glosas was
P.K. Page. Graham names both of these women as her spirit mentors
during the writing of this book. As is common with forms in contemporary
writing, the initial structure is not always found in the final product. For
some readers, this may be disappointing; for others, a relief.
(M)

In
Birds,
Metals, Stones & Rain, West Coast poet
Russell Thornton is described as
“[exploring] the powerful, primary human relationships through images of two
worlds: the natural and the urban industrial.” A quick glance through the book
suggests the focus rests in the natural, but perhaps that is the work, to find
those views from the city. They are largely narrative poems, but with some
lovely leaps.
(M)

The last poet,
Alexandra Oliver, meets both of the above writers,
and takes a different route. Described as a formalist poet, her work turns on
metre and rhyme. Perhaps there is a glosa in here; if you find it, let me know.
As for content,
Meeting
the Tormentors in Safeway describes the domestic and interior. Products are
named; moments are magnified; critique and curiosity are mixed. It’s a perfect
book to peruse as you commute to work by bus.
(M)
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