
I won't say much about the plot, because there is a puzzle to work out and some uncertainty over what is real and unreal. On the face of things, Norma Fontaine is a twenty-something British woman in the 1960's living with her brother and housekeeper. She is obsessed with her own good looks, and style. She feels that she is the embodiment of feminine grace. Others can be put off by her, but no matter, they are only jealous. Her brother Roy takes a new job and meets a lovely young woman, but Norma is a strain on the relationship
One reviewer complained that Rawle's collage technique was tiresome after a few pages. I have to totally disagree. I read this 400+ page book in the better part of a morning. Not only did the story keep me turning pages, but my eyes were continuously engaged on the page. Each page offers something new to look at. The text fragments gave the story a sometimes odd flavour, for example, "Red rage rose within me like mercury in a toffee thermometer and I know I had to leave before I reached the boiling point for fudge."


While in a different category visually, I was also reminded of Ella Minnow Pea by Mark Dunn. The island of Nollop (named after the person who penned - The quick brown fox jumped over the lazy dog) is a totalitarian regime. As the letters from Nollop's statue drop off, they are banned from use on the island. The novel is a series of letters written with progressively fewer choices in letters of the alphabet. Although this books was straightforward typeface, I found it to be a more difficult read than Woman's World.
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